Tag: Creativity

The Demons Are Screaming

~ Lori Lynne ~ Leave a comment

I’m on a boat, steering towards my destination, and a bunch of demons on board are shrieking at me. If I steer away from where I want to go, they settle down, but if I return to my course, they start yelling again. Louder and louder, closer and closer to my ears.

This metaphor comes from Russ Harris, author of “The Happiness Trap,” a book about the field of acceptance and commitment therapy. He uses the demons to represent the self-sabotaging parts of ourselves. There are many metaphors like this, but I took a liking to this one. It’s easy to imagine myself at the rudder of the ship, trying hard to keep a firm grip and a focus on the horizon, while progressively larger and louder demons caper around and try to distract me.

His metaphor also has a very important detail: the demons can’t actually do anything. They don’t have the power to touch the boat’s controls, or touch me, or damage the boat, or anything else tangible. All they can do is scream.

Anyway, right now, they’re very loud for me. I am navigating some of the important pre-publishing milestones for my book, and the universe has challenged me with a severe back pain episode for the last week. As I shuffle and stagger around the house, the demons try to convince me that I shouldn’t work on anything. That this publishing thing is sure to go dreadfully wrong and who do I think I am to publish a book anyway, etc.

I am worried about my back, and the fact that I don’t know how long it will be before it improves. As a previous abuser of painkillers, pain is an emotional topic for me. The demons amplify that as they try to convince me I’ll be in pain forever and that I can’t be creative while in pain, therefore the writing part of my life is over…yeah, yeah, demons, I’ve heard it all. Still sailing though.

I Hate My Book

~ Lori Lynne ~ Leave a comment

No one can read a piece of writing this many times, over this many months, without beginning to despise it. Doing the final formatting for self-publication is just the latest round of this. Sentences I once loved appear trite; passages formerly judged effective sound cheesy. The book as a whole, described by one reviewer as “a rollercoaster of honesty, insight, and courage,” has instead become a self-indulgent rant.

I know I am not alone; I take comfort in the stories about other writers’ processes. But right now it’s hard to imagine ever falling in love with my book again. And it’s hard to imagine feeling much but relief when it’s done; relief that it’s gone from my desk and I can work on other things.

Right now, I’m coping by trying to pretend this isn’t my book. I’m pretending to be a professional that the author has hired to prep the book for publication. It’s not my book. I don’t need to edit the content. I don’t need to have an opinion about it. I just need to do the work.

Ugh.

Cover Art in Progress!!

~ Lori Lynne ~ Leave a comment

Exciting news about the memoir…I just got my first round of potential cover designs! My task was to review them and give detailed feedback to guide the artist in making a second round. Turns out I had a clear favorite, so that made it a bit easier.

There are a lot of professionals out there to help a self-publishing author…help with editing, with formatting, with the actual upload process, etc. My editing is already done, and due to financial limitations my computer geek husband and I are going to try to do the formatting ourselves with the help of some of the great software out there…but the cover was the one area we knew needed a professional. The cover is of paramount importance, since most people first see the book as a thumbnail online. So, I bit the bullet and hired someone. And seeing even this first round makes me glad I did.

I’ve learned a lot during this process so far. Before the artist did the first round, they asked me to provide them with a lot of information about what I wanted, including references to existing book covers I liked in my genre. I did a LOT of scanning through Amazon and library software to find a good list. It was illuminating…what do I like in a cover, and why? What turns me off, and why?

Anyway, I can’t wait to see the second round. And it was delightfully surreal to see my title on what looked like a real book.

Channeling Oliver Twist

~ Lori Lynne ~ Leave a comment
“Please, I want you to read my book.”

Today I sent out my first book blurb requests. These are the brief, eye-catching reviews/comments that get displayed on your book’s back cover or dust jacket. Hopefully, they’re from someone authoritative in the field the book is about, or the author of better-known works like yours. So requesting them means asking for the time of someone who’s probably pretty darn busy/in demand/gets lots of mail like yours.

Eeeek.

I chose the first round of attempts carefully, and I hope realistically. Let’s face it, getting someone to read a first book isn’t easy. But I did include two “swinging for the fences” people in the batch, people who’ve been inspirational to me for decades. It was more of a symbolic gesture than anything else, to be honest, but there’s always that one-in-a-billion chance.

The process was a lot like querying, but even more individual…I did make a basic “blurb request template letter” but I altered it a lot for each person to reflect why I chose them and why they might want to consider the book.

I feel good about getting the first batch out. Now I need to relax and focus on other things for a bit as I wait for positive or negative answers, or for cricket noises of sufficient duration to let me know no answer is coming.

Micro-Learning

~ Lori Lynne ~ Leave a comment

It’s still hard for me to learn new things when I start out sucking spectacularly at them. I think we all get discouraged if we don’t show any kind of talent at the beginning…part of it’s embarrassment; part is more pure ego (If I can’t be the best, why bother?).

One area I’m weak in is technology. I’m not the worst for my age, but I need to get better, and right now my nemesis is video editing. I am learning how to use iMovie, and to say I am finding it bewildering would be an understatement. But with perseverance, and a bunch of humility, I am improving.

My secret is micro-learning. With the invaluable aid of YouTube, I learn one or two itsy-bitsy things per session. I’ll search something very detailed…how do I rename a project? how do I import an audio file? Not trying to tie it all together yet. Then I take notes for myself on the thing I just learned, because my messy brain is almost certain to forget it the next time I sit down with a project.

It’s an accomplishment for me, because it goes against a very old pattern. I got into a good college on the strength of some natural talent and a lot of natural test taking ability. When I found myself dealing with much harder material there, I had no idea what to do when I was bad at something. I didn’t know how to learn…and I definitely didn’t know how to ask for help.

It’s taken decades, but now I know how. And as long as I can learn, whole worlds are open to me.

New Name

~ Lori Lynne ~ Leave a comment

Just a quick note to any repeat visitors…you’re not imagining things; I did just change the name of this site. I decided that, in the coming years, having it and its address just be my name will make the website easier for people to find. It also reflects the fact that the site has become a bit more eclectic. The things I’m sharing have always been diverse, but most were focused on mental health, addiction, or, more recently, the psychology of writing. But now I’ll also be sharing news about what happens to the varied stuff I write–and, someday, links to my work itself. And how awesome is it that I’m thinking years ahead; that I fully expect to keep writing different things? Even when I’m scattered and frustrated with myself for being unable to focus in on one sometimes, I am aware that every dream is a gift.

Don’t worry, though, there will still be plenty of words about other aspects of what it’s like to be a bipolar recovering addict with an eating disorder! The conditions I live with sit with me, write with me, and dream my dreams with me. They will always be part of how I present myself to the world, because it’s a way of reducing stigma and perhaps making a reader here and there feel less alone.

Yay! I Suck!

~ Lori Lynne ~ 1 Comment

ENOUGH got its first rejection letter! And I’m trying to celebrate, because this is a milestone I’ve been waiting for. You see, to get a rejection letter you have to have sent a query, which means you have to have finished something to the point of being ready to send a query. You have to have done a proposal. You have to have come up with a query letter. And then, you have to have navigated the requirements of the particular agent you’re querying and done the annoying chore of altering your materials as needed.

I did all that. It feels like the final rite of passage from the realm of “I’d like to write a book” through “I am working on a book” to “I have written a book.” Even though I’ve had a full manuscript and been revising it for more than a year, sending it out for the first time makes it feel like a Book.

All through this process, I’ve been managing my expectations. I’ve planned to query for a certain amount of time and then, if nothing happens, look at hybrid or self publishing. My hypomanic brain jumps ahead and tries to plan for that stuff now, even though it’s not time yet. It doesn’t help that I do need to learn more about these realms for my other projects.

But right now, celebration. I’m told that everybody’s really backlogged between now and the new year, so I’ll probably wait until January before sending out the next batch. In the meantime, I want to focus on other projects and not worry about publishing…because the question of how to publish these is irrelevant until they actually get done.

You hear that, brain? Would you kindly turn off the hypomania and let me focus on one thing? Consider it a holiday gift.

Off Switch

~ Lori Lynne ~ 1 Comment

How do I get my brain to STOP? When I know it’s tired enough not to be productive, or I know I’m not well enough to be productive anyway, what button do I push that will convince it that it’s OK to relax and not learn or create anything right now?

Well, what button BESIDES drugs, compulsive eating, and other destructive things? For over a decade, I used ever-increasing numbers of sleeping pills because my brain wouldn’t yield to anything less than a chemical hammer. Opioids during the day also soothed my hyperactive brain. A box of donuts is usually good for shutting it up, but eating large amounts of junk comes with a high physical and mental cost.

I know, I know…I should exercise and meditate. Well, my Tai Chi classes finally reopened, so that’s a step in the right direction. But except when I am actually doing it, it doesn’t seem to change much.

Right now, for example, I just stopped in the middle of typing this to grab a piece of paper and write down an idea about how to fix a problem with the video editing I’m trying to learn. I had to remind myself that I’m in the middle of something.

What I really want to do is unplug for the day. It’s Friday afternoon, there’s nowhere I need to go, and I only slept 2 hours last night. I want to zone out and play Minecraft, or put an old, comforting movie on. And my head hurts from the video editing stuff. And I don’t want to think about the different projects I am working on, or how messy the house is, or my latest NEW writing idea. I don’t want to think at all. But the mild hypomania that has been in play more often than usual for the last few months means I spin, and spin, and spin.

The Parable of the Cursed Axe

~ Lori Lynne ~ Leave a comment

So there I was, playing my old-fashioned dungeon crawler computer game when I should have been doing paperwork between counseling sessions. My character had survived and prospered long enough to have excellent armor, strength and health, but I was still wielding a lowly dagger. So I was pleased to find an axe, and picked it up, even though I knew some weapons were cursed.

On the next floor of the dungeon, I found myself surrounded by orcs. They aren’t too strong in this game, which is why they travel in large packs. So I was surprised when my attacks on the first orc seemed ineffective. Maybe I’d better switch back to my dagger…but when I tried to drop it, I saw the dreaded message: You can’t. It appears to be cursed. I was stuck with my axe. Checking my inventory, I realized it was minus-2 power. Ugh. This orc pack was going to take a while.

I’ll get to my metaphor soon. Honest.

Then, a rust monster appeared. With every hit, this feared being damages your weapons and armor. My minus-two axe became minus-three, seven…minus-twenty by the time I managed to kill the thing. I was now fighting the swarm of orcs with what amounted to a shapeless hunk of iron too heavy to lift. But I couldn’t put it down.

Wielding a cursed weapon sucks. But we’ve all done it, haven’t we? Haven’t we had a response, or a coping mechanism, that has become ineffective at best and destructive at worst, but we just can’t put it down? We swing it helplessly at the problems around us, unable to pick up a healthier method even if we know of one. We have trouble accepting that our old weapon isn’t working, hasn’t been working for a while, and is never going to work again.

Addiction is one example, of course. We wield our drug or behavior of choice to the point of self-destruction. But there are so many other cursed weapons out there, and some of these became part of our arsenal when we were very young. If we learned to shut down, avoidance becomes our default response and is difficult to change. If we learned angry confrontation as the go-to reaction, that’s our cursed weapon. If we learned to please and placate others, we hack our way to a lifetime of inauthenticity.

What are your weapons? Are they working? If they’re not, can you put them down? Or are they cursed, cursed in a way you can’t uncurse without magic?

Acting My Age?

~ Lori Lynne ~ Leave a comment

As I progress through middle age, I’m going through the emotional adjustments everyone does. In my case, it plays out in my writing experience (Aaah, too little too late, no one your age can be a success at writing, the writers you know have been doing it for 25 years, etc.) and several other arenas. Some feelings are sharpened and complicated by my years of illness and addiction, such as when I envy others my age who never became disabled and therefore have more financial security. And some feelings are just garden-variety internalized ageism.

Case in point: my hair. I’m getting it cut short today. I’ve had it long for years, but the already fine strands have become thinner and finer with middle age. It won’t stay in a scrunchy or barrette; individual strands are always escaping and tickling my nose. I can’t wait to get rid of it and have a neater, low maintenance look. So what’s the problem? Nothing, really, just old stuff.

Somewhere–don’t know where–I got a message that long hair is a. more youthful and b. more feminine. What’s up with that? And I never think that about my female friends with short hair, only about myself. There’s a tiny part of my brain that feels as if getting my hair cut off is a kind of desexualization. Maybe it’s remembering a certain drastic haircut I gave myself in my freshman year of college, when I hacked off my long hair while upset after a housemate told me I looked like a tramp. Hmmm.

I din’t have any answers about this; it’s just interesting to examine attitudes I didn’t realize were lurking in there. It’s a good reminder that not everything I go through is about mental illness, or addiction, or even the ups and downs of being creative…I still get to participate in all the general human stuff, including growing old. And that, considering the alternative I came so close to, is a privilege.

The Arena

~ Lori Lynne ~ 1 Comment

Sometimes, for me, dissolving a block requires brute force. Screw letting my creativity flow and bubble spontaneously–been there, done that, and this poem still won’t yield even a rough draft. I haven’t written a new poem for months–got preoccupied with memoir tasks, then found when I returned to Poppytown that my efforts at creating drafts for the missing poems met with internal silence.

Yesterday, I vowed to make a rough draft of something. No matter how rough. Jagged, uneven, sharp-edged, whatever. I dragged this title into the arena and swore that only one of us was coming out alive. I took out the paper with the poem title on top. I set a timer for one hour. Go.

And it worked. There’s a draft now. I’ll worry about revision later–what matters is that there’s something to revise. Is it as good as the version of the poem that may or may not have ever come to me in a gentler way? I will never know. But I’m pretty sure it is better than a blank page.

Turn the Faucet Back On

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I can’t get out of “edit” mode. I’ve been in “edit” mode for so long (to me, this mode includes things like proposal writing, research into agents and publishing options, etc.) that I’m having a hard time switching back to “flow” mode and actually creating something. Right now, I have some waiting to do in terms of getting my memoir queries ready to submit, so it makes sense for me to be working on other projects in the meantime. Especially Poppytown, which is slated to be the next thing completed. There are poems still to write for that…and I can’t seem to turn on poetry-writing mode!

Yesterday, I did some useful organization…created a binder with everything I have, then inserted a blank page with title only, placed in its proper order, for every poem that is conceived but not yet finished. The idea is that when I’m ready to tackle a certain poem, that blank page will serve as initial brainstorming space. Having it in order will let me keep the book as a whole in mind. So that’s all good. But it won’t help unless I can take one of those pages and produce a poem.

I know anxiety/information overload is part of it…half an hour of research into the world of publishing can leave my overactive brain whirling and lead me to a night of nail-biting ruminations. Maybe it’ll be less overwhelming as I learn more, but right now every fact I learn sends me down a new rabbit hole of information, some of it contradictory.

If I’m going to be an author, I have to learn to switch between modes. I have to learn to compartmentalize. When writing and revising my memoir, I managed it by deciding I wasn’t going to think about what to do with it until it was done. But that won’t work any more. I’m sure I am not the only writer to struggle with this, although my weird brain chemistry may add a bit of exotic seasoning to the brain stew. It’s just another new thing to learn, at a time when I’m already learning a ton of new things but can’t afford to let any of them compromise managing my conditions.

Birth is Messy

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I was hesitant to put information about my in-progress projects up on this site. I thought I should wait until each one reached a certain point…talk about Enough, but no, maybe not until I get it farther along the road to some kind of publishing. Don’t talk about Poppytown until the manuscript is actually done. Don’t talk about my Tarot hobby-turned-serious-study until I have a business identity, website, and YouTube channel up and running.

The trouble with these ideas is that the process is at least as important as the product. By talking about it, I have the opportunity to share a process; to let someone observe the gestation, birth, and development of something new. Pregnancy takes time. Birth is messy and inconvenient. And have you ever seen a newborn baby, as in minutes old? They’re funny-looking, they can’t do much, and they really need a bath.

So, I’m going to try to be honest about where I am with everything. My readers will get to watch my learning curves as I struggle with being the new kid in school in the realms of the literary world, technology, and business. I’ll look scattered, and inconsistent, and clueless at times. And?

Murdering My Darlings

~ Lori Lynne ~ 1 Comment

An English author, Sir Arthur Quiller-Couch, coined the phrase “murder your darlings” to describe a good editing process. I’ve had to murder a lot of darlings while shaping my first draft, and I can only imagine how many darlings will meet destruction as the thing gets polished.

It’s hard! Especially when the darling in question is really–well, darling. Well-written. Poetic. Touching. A sentence, or paragraph, or even a chapter, that is wonderful writing but doesn’t belong where it is.

The chapters I wrote, one at a time, over the last two or three years contain a lot of writing that has to stay out of the book. Not because it isn’t good. It is. But the book has to have a story arc, and the content has to serve the arc. Not to mention issues around word count.

This week I cut the first chapter of the book. Just cut it, outright. I slipped a little exposition into what was Chapter Two, but all the writing from the previous Chapter One is gone. The book now begins in a completely different way.

Oh, darling. I’m so sorry.

Stop Writing Right Now!

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That’s what my brain has been telling me for a few days. Whether it’s the result of my latest biochemical dip, or the stage of my projects, or environmental factors, is unimportant. And there’s no writer who doesn’t live with frequent self-doubt. Still, I hate it when the “stop writing” thoughts take over for days at a time.

They lay out, in excruciating detail, an array of reasons why my two big writing projects a) suck and b) are meaningless.

Sometimes they focus on the book and tell me it’s boring, self-absorbed, and won’t actually help anyone. Sometimes they focus on the poetry compilation and tell me it’s trite and not topical any more; that the pandemic means nobody cares about addiction even though overdose rates continue to rise.

I’ve done some reading about the nature of thoughts, especially the usefulness of being aware that what I think of as a thought is, in fact, nothing more than a set of words. It has no power. Whether a true story or a false one, it is a story.

I don’t beat myself up for buying into thoughts more when I’m in a depressive dip. It makes sense that my defenses get exhausted then. But it helps to know that I’m doing it; to see the process happening and know it is a process.

Chapter of the Week

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Every Friday, I get to hang out with a few other writers and read the latest chapter of my book to them. The hanging out is done online right now because of the pandemic, but it’s still enough for me to make sure I at least revise a chapter for the week.

I’m at a stage where I’m going through the book chronologically and doing tweaks and consolidations. It’s the first time my group is hearing the chapters in order, because the first round of chapter segments were created and shared in haphazard fashion. Sometimes they skipped decades forward or backward.

Going in order is harder. It’s scary to be marching forward, one chapter a week, knowing that at some point I’ll reach the end of pre-written stuff for revision and have to write a few missing chapters at the end. Then an introduction. And then it will be a fucking manuscript.

And I’m doing this during the pandemic, with the future so uncertain, and my critical voice shouting that no one’s going to want to read anything about any other subject besides this for the next indefinite number of years.

Let Us Write Together

~ Lori Lynne ~ 1 Comment

You are loud today, world.

This is not a week when I can even try to defy you, blot you out or forget you.

There is no muffling the parts of your voice that shriek at me not to write. That tell me it won’t matter, that any story I tell is unimportant. That thinking about the projects I cherish is shallow and self-absorbed.

You are here in the room with me, humming and babbling and singing.

So get comfortable.

I have found extra chairs.

Sit here, pandemic.

Read over my shoulder, climate change.

Correct my spelling, cruelty. Play with my paper clips, ignorance. Have a mint, fear.

Let us write together.

Third Time’s the Charm?

~ Lori Lynne ~ 1 Comment

Today I wrote the third version of the few pages that mark the beginning of a new phase of my book. The first version got okay feedback, but I and my fellow writers agreed the voice wasn’t quite right.

So I wrote it for a second time. I changed the voice and changed the tone in a way I thought would sound more personal. I put in some new, clever stuff as well. Satisfied, I stuffed the stapled pages into my backpack and brought them to the group.

They hated it.

I wasn’t even surprised–by the time I finished reading the section out loud, I knew it wasn’t working. What had escaped me at the keyboard became obvious to my ears. I hadn’t just failed to improve it; I’d made it much worse.

So today I wrote a third draft. It’s different from the first two; it doesn’t try to cover as much and it’s definitely more personal. (Cried while writing it, which is usually a good sign I’m being authentic.) But I have no idea whether it works or not.

What’s really hard is that I haven’t got a plan for what to do if this isn’t better. I’m pretty sure I’ll need to put it aside for a while and try to work on another section, but I don’t want to. I want to be happy with this piece before I do later ones.

And I want a pony.

Sick Squared

~ Lori Lynne ~ Leave a comment

Being sick is depressing, sure. For me, though, being sick is clinically depressing.

Maybe those of us with mental health issues are more sensitive than usual to the tiniest changes in our brain chemistry. If we’re on meds, maybe illness changes the way our bodies metabolize them. Whatever the reason may be, even a minor illness seems to guarantee a sharp depressive dip for me.

It was just a bad cold, for heaven’s sake. Severe congestion, touch of fever, no huge deal, only lasted three days…but I’m clawing my way out of leftover mental fog, compulsively pessimistic thinking, and hair-trigger anxiety.

Yesterday was the first day I actually thought about my writing projects again, and it wasn’t pretty. Every gloomy, nihilistic, they’re-no-good-and-even-if-they-were-it-wouldn’t-matter thought I’ve had about them came cascading down at once.

I know what to do; what I’ve had to do thousands of times. Baby steps. Little things like this. Do not try to tackle everything that has piled up, or I’ll end up crawling back under the covers.

I want my brain back to its best functioning now–but what I’ve got is a blog post and a sink full of clean dishes. And that’s probably it for today.

First Principles

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What helps me when I get overwhelmed by my writing projects, or by life in general? Sometimes nothing…I get to be overwhelmed for a while. I do mindless things, try very hard to choose mindless things that are not self-destructive, and generally buy time until the intensity of the feeling passes.

But when the overwhelm is about my books, it helps if I can go back to what I call my first principles: Why am I working on these projects? What is my duty in regards to them? Do I understand that I am not in control of how they are received when the time comes to send them out? Am I willing to do my best, with no guarantee that they will be published or widely read? Am I willing to resist comparisons and fight insecurity when I hear of fellow writers’ productivity, networking and other successes?

The insight I had (and was questioning) about the structure of my nonfiction book has crystallized into an updated plan. This is exciting, and it’s making me more connected to the book’s arc…which, in turn, sends my mind into the future where the book’s a book and I’m querying agents et cætera. This is not the time for those thoughts. Maybe some writers can do it, but I know I need to concentrate on getting a draft of the book done.

I’m not trying to seal off any knowledge of or respect for the realities of the publishing industry. I’ll continue to get feedback from other writers, but right now I know I’ll hamstring my creativity if I try too hard to write for anyone but me and the people I’d like to help.

Inspiration or Hypomania?

~ Lori Lynne ~ 1 Comment

Both of them present the same way: I have an idea. An amazing idea. The best idea I’ve had in a long time. My head begins to whirl with plans for executing it, alternative plans, and alternatives to the alternatives. I sleep even less than usual because the ideas keep chasing themselves around in my head.

Eventually, one of two things happens: If it’s just inspiration, I question it obsessively, but (hopefully) eventually overcome procrastination and insecurity to take some step toward carrying it out. If it’s hypomania (a symptom of my condition, Bipolar II) I just whirl and whirl until I eventually burn out and crash. After I come back from whatever self-destructive crap I might have done while crashing, the idea seems ridiculous or lackluster.

But what if it’s not either-or? What if it’s a little of both?

The large-scale planning of my book continues. It’s reached the next level after a recent attempt at rounding out a chapter instead of focusing on shorter segments. For several days, I could tell my brain was in high gear, no matter what I was doing. I did mindless things quite often in an effort to slow down and relax, but while I was doing said mindless thing the thoughts were churning in endless circles.

Then a breakthrough seemed to happen: I had a vision for a new way of organizing the chapters that would be more blended and less choppy. It calls for changes about what goes where, using the 90,000 words I have so far as raw material but not necessarily in their current segments.

Evidence on the side of inspiration: I’m already making a lot of notes and at least trying to get the ideas down in some form, which counts as action.

Evidence on the side of hypomania: My brain fucking hurts and I really want to go eat donuts to club it into silence.

Oh, No! Not Perspective!

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Don’t make me be aware of how gigantic and complicated the world of writing is! Let me stay in my little bubble of blogs and local poetry readings!

This week I’m trying out a new submissions tracker online. You can use a lot of filters to search for publishers or agents that accept the things you want to send out. I decided to look into it because they really keep their listings current–when I used books, I’d often go to a publication’s website to find they didn’t exist any more or hadn’t accepted new material in years. The tracker also has stats on things like average response time.

I’ve really done very little submitting to non-local things, and I want to change that. But I have to admit it’s intimidating to read some of these sites. I have a tendency to look at whatever I am thinking of sending them and think “nah, they’d never want this.” Especially the heavier literary sites. I suspect some of the guidelines are written in such a way as to discourage as many people as possible from adding to their undoubtedly huge slush pile.

But submitting is not just emotionally intimidating, it’s a pain in the ass too when you’re a newbie. Many publications only accept submissions electronically these days through an engine like Submittable. It’s not too bad once you get used to it. However, they don’t all use that. Some want you to set up an account on their very own server just to do a one-time submission. And everyone wants you to tweak your files in a different way.

And then there are submission fees. They usually run about $3, except for contests and book-length works. It’s an amount designed to feel like no big deal, but they add up! I’ve heard an author brag that she never, ever submits anywhere that has fees–well, that leaves the majority out. She can afford to be picky now that she’s well-known, but…at any rate, I’m budgeting to do about 8 submissions a month. It’s what I can afford.

It’s always overwhelming being the new kid at school. On the bright side, it’s a role I’ve played many, many times. I’d like to think I’ve become more comfortable with it. Or at least comfortable with being uncomfortable, if you know what I mean.

Tear It Apart

~ Lori Lynne ~ 1 Comment

So I’ve written something. Do I have the guts to rip it apart and put it together a new way? Or more than one new way?

The workshop I went to a few days ago talked about this. It was interesting to hear–although I’ve read a lot about revising poems, I’m not as exposed to writers talking about how to revise a short story or book. Joshua Mohr, the instructor, wasn’t shy about suggesting big changes instead of just small ones.

Chop out the first 600 words of this scene and start here instead. Move this scene and do this other scene first, then put in some of the first scene with suitable alterations. Shuffle the chapter order in your book. Cut a chapter that no longer fits with the arc of your story. Take the whole damn piece and rewrite it in a different voice.

I notice that, even when I’m excited about the possibilities a change has, I’m resistant to some of the big ones. One reason is I cling to the version that exists because it’s been around long enough to be my baby. To change it, I have to say goodbye to the previous version–or at least shove it into a smaller area of my brain to make room for the new one.

Perfectly normal. But the other reason change is hard for me is one that’s more problematic: it’s an attitude of scarcity.

Wait, I spent time and effort writing this. Maybe every word was an ordeal if I wasn’t in a good place at the time. If I rewrite a scene, or drop it completely, all that effort has been wasted! Oh no!

This flawed logic leads me farther into the land of scarcity: I only have a certain amount of time, strength, focus. I have a limited amount of words in me! If I don’t use every single one I manage to squeeze out, I’ll never write the things I want to write!

Unsurprisingly, I don’t write very well when I have this attitude. Nor do I enjoy it very much. My first book’s an intimidating project, but I must make room for the happy preschooler with her scissors and paste.

Cinderella

~ Lori Lynne ~ Leave a comment

I spent yesterday in a fairy-tale world, feasting on delicacies and dancing with handsome princes and princesses. But the ball had to end, and I departed without leaving so much as a shoe behind.

Okay, so it was really a one-day writing workshop at the office of ZYZZYVA magazine in San Francisco. They accepted my piece for the event, and I’d promised myself that if I got in I’d go. So I did.

I call it a fairy-tale world because it’s so unknown to me; I had never been to that type of workshop before. I compare it to the ball because I associate it with having more money than I have; the cost was such that I don’t expect to be able to do such a thing again any time soon. Let’s just say I got my Christmas present early this year.

I enjoyed myself very much. The author who led it, Joshua Mohr, had insightful things to say about writing personal narrative. Here’s a distillation of what I feel was the most valuable reminder for me as I work on my book:

When you write a narrative that’s about yourself, you still need to treat the “you” in the story like a character. You need to pay attention to the same things you’d look at when working with a fictional character you’re creating: Are they interesting? What am I doing to let the reader get invested in them and want to know more? Is it clear what they want, or think they want? What are their obstacles, internal and external? Am I building complexity; giving the reader new perspective on them with every scene? Do I avoid either idealizing or demonizing them?

This kind of perspective will help me as I make choices about the structure of my book: order of chapters, what to keep and what to cut, and what isn’t written yet but needs to be.

I’m aware of a part of me that feels envious when I think of how many workshops and classes some of my fellow writers go to, or that focuses on my wistful desire to be someone who can do the same (or, for that matter, who can submit a ton of stuff without worrying about how those submission fees will add up.)

But that’s my baggage talking. It’s understandable that I want these things, but focusing on what I don’t have is toxic. I create things when I am focused on what I do have, what I truly want, and what I can do to move closer to it.

The Devil’s Playground

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There’s an old saying that “an idle mind is the Devil’s playground.” This can be especially true for addicts. Not only addicts, of course, but anyone to whom the inside of their skull is a potentially dangerous place.

Today I have the house to myself for eight hours. I’m not used to being alone here for more than a couple of hours at a time, because between my spouse and our 19-year-old there’s usually someone around. But my daughter just got a job (yay!) so she’s at work (weird!) and I’m here by myself until it’s time to go pick her up.

It’s not that I don’t have plenty of things to do. I could work on one of several writing projects I have going. I wouldn’t even have to write; I have storyboarding and planning I need to do. I could unpack more stuff. I could put away the laundry sitting in the dryer. I could take a walk, or do ten minutes of my neglected Tai Chi. I need to take a shower. If I feel the need to be completely unproductive, I could watch a show or read a book or play a video game.

Or, I could eat things that harm me. I could sit and stare at the wall, building darker and darker scenarios in my head, with no one here to ask me if I’m okay. I could call up someone toxic in my life and have a conversation I’ll regret. Anxiety has been especially troublesome for me lately, either paralyzing me or goading me into unwise action.

So for the moment, I decided to do this. And now that I’m done, I’ll have to decide what to do next.

The Deadly Reflex

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Have you ever won something, or been chosen for something, and immediately started playing a negative tape in your head about it? Coming up with reasons it’s no big deal instead of just being happy and honored?

Two weeks ago I sent out a piece applying for a narrative writing workshop. I thought getting in was pretty unlikely, but decided to give it a shot. Well, I’m in.

Any bets on how many seconds it took that part of my brain to go from joy to rationalization?

They must not have received many submissions. The submission process was probably just a marketing ploy to make the workshop seem more exclusive and therefore more desirable. They’re really taking anyone who is willing to pay the fee.

It has to be something like that, right? Surely they couldn’t have really liked my writing and chosen it over some actual competition?

Yeah, I do this. When I won a couple of prizes in a local poetry contest last winter, I told myself the contest must have had very few entries. When I shared the happy news that one of my poems was accepted for a gallery show project, I always emphasized that it was a small gallery!

The weird thing is, not all of me is this way. I’m capable of the opposite. I can admit that I really like how I write; that I think it’s good. (And why not? Of course I like my own style, and work toward improving it in ways that make me like it even more. It’s mine.)

But that other voice is eager to chime in, and I need to recognize it. “Oh, you again. Hi. Uh-huh. Really. All right, you’ve had your say, now fuck off.”

We Shall See

~ Lori Lynne ~ Leave a comment

Yesterday, I sent about 2500 words of my nonfiction project to be considered for a day-long workshop on personal narrative writing.

“Which piece should I send?” I asked an experienced writer who has heard many segments of the project. “Which works best as a stand-alone?”

“Doesn’t matter,” they replied. “You won’t get in.”

I was surprised, but not offended. I knew he wasn’t saying my work isn’t good. He likes my work (or he’s been doing a really good job of faking it.) He’s just of the opinion that my style doesn’t match what they are looking for, based on his perception of the people and publication behind the workshop.

I decided to give it a try anyway. Going through my binder, I considered and rejected many segments. From what I had heard, I had an impulse to choose one that included my time at MIT or some other attention-getting intellectual thing. But many of the segments don’t work well as a stand-alone, because they’re far along in the book.

In the end, I chose an early chapter. The protagonist is not at MIT, or studying to be a therapist, or having an edgy time in rehab. She’s a preadolescent torturing her toys. It’s often funny, sometimes sad, and very authentic. I like it. Don’t know if they will.

Where the Hell Have I Been?

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…one might ask. Well, I’ve been writing like hell.

Just not here. Part of my brain seems to think writing sections of my book, or writing new poetry, means there is no time or juice left for updating this site. And that’s bullshit. It’s not as if doing a post takes me a long time; it just takes the willingness to sit down and write something about what’s going on in my head or my life right now.

The hardest part is picking out a subject from the thousands of possible ones. I’m seriously considering getting a jar with scraps of paper and pulling out a random one every day.

I’ve also been house hunting and moving. Yes, after seven years, my family is living in a house again. It’s not really any bigger than the apartment, but it has a little yard for the dog…and a room that has a corner that’s MINE with a DESK in it that belongs to ME and NOBODY else can put so much as a PENCIL on it or I will SMITE them like an Old Testament plague.

*insert maniacal laughter*

Pain 1, Me 0

~ Lori Lynne ~ 1 Comment

Chronic pain sucks.

This week I am receiving a reminder of this. I did something to my back 8 days ago; thought it was no big deal at first but it got worse as the week went on. It’s been hurting at the level that used to be going on all the time for me.

I’m spoiled these days; often pain free with occasional flareups. I haven’t had one this bad in four years or more.

So right now I’m being reminded how much pain screws me up–and I’m getting to see how it screws up parts of myself necessary for writing.

One: Pain makes me afraid. I future trip like crazy–what if it doesn’t get better? When can I go back to my regular activities? How am I going to function when sometimes I can barely function without pain? Writing in a state of fear tends to be joyless and stripped of its usual juice.

Two: Pain makes me stupid. Even less sleep than usual, fatigue from stiff muscles; it all leaves me cloudy. Writing is slow and awkward.

Three: Pain triggers bad memories and cravings. Back pain will always be associated with the worst time of my addiction. The physical sensation triggers memories of standing in line, filling out forms, and talking to doctors in order to get more painkillers. Even though I know all that is in the past, my body isn’t sure. Writing is harder because it’s difficult to stay in the present.

Four: Pain ups my level of depression. Understandable. Limited mobility leads to boredom, which makes me more vulnerable to depressive content from my head. Writing is harder because the grayness of depression works against my creativity.

Five, and most dangerous of all: Pain makes me self-absorbed. I regress, as many in chronic pain do, to an ego state where I lose perspective and my pain becomes the center of the universe. Writing is hard because I lose touch with why I write.

I really hope this won’t last much longer. But if it does, I need to remember that the imperfect writing I can do in this state is still approximately ten thousand times better than a blank page. So what if it’s not quite up to my usual standards? That’s what editing is for.

Hurricane

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“I’ll write my way out, write everything down far as I can see. I’ll write my way out, overwhelm them with honesty, this is the eye of the hurricane, this is the only way I can protect my legacy…”

So, my 18 year old daughter has infected me with the “Hamilton” virus. I’m not one of those lucky rich folks or lottery winners who have actually seen the play, but thanks to her I’m nearly letter and note perfect on the soundtrack.

The words above come from the song “Hurricane,” in which the Hamilton character recalls how his writing after a hurricane’s destruction helped him win support from the townspeople to get to New York and an education. Now he’s resolving to use his writing skill to find a way out of a scandal threatening his career.

At any rate, I think most writers identify with parts of this song. I certainly do. The power of writing, of storytelling, is sometimes the only power I think I have. Maybe some writers don’t feel this way; maybe they feel powerful and successful in other aspects of life too. But when we’ve failed at other things, when we’ve been to some dark places, we can start to believe that our creativity is the one power we possess that no one can take away and its products are the one unique thing we have to offer the world.

In the end, our best shot is to “overwhelm them with honesty.”

Raising the Stakes

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When my drug addiction was at its worst, the stakes were life or death.

Many years later, the stakes are still life or death.

But it’s different too. Back then, in the state of despair I was in, losing my life felt like a numb inevitability. My major regrets about the idea had to do with how it would hurt the people I loved.

Now, I feel as if there’s a lot more to lose. Through a process that has taken years, I’ve come to value the things I do have to give. I feel at least somewhat useful to my family and even my community. I have things I value so highly, and so sharply, that the thought of losing them makes the idea of dying before my time suck. Especially my writing.

I’ve been clean for more than seven years now, but I recently had a couple of brief bouts with overeating after being relatively sane around food for the past 2 years. Each only lasted a day or two, thank goodness, but it was enough to remind me of the insanity it brings. One thing I really noticed was how frustrated I felt not to be able to write or even think effectively about writing. The obsession, the fear of gaining weight, the shame…they were all there, but there was also the sharp awareness of a wall the binge eating had put between me and my creative self.

I have a richer life now; a more precious life to be destroyed if I make the choice to use drugs again.

Poetry to the Rescue

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Last post, I wrote about being flooded with old memories as a result of nonfiction pieces I am writing. Fortunately, I know one remedy to feeling overwhelmed by a project: Write on something different for a bit. It won’t fix everything, but it helps.

So I took advantage of a little writers’ gathering to focus solely on writing poetry; specifically, the kind of writing that strives to be uninhibited and often leads to brand new drafts of something. Very raw drafts, but a thing exists that did not exist before.

A short project to rest from a long-term project. A project done for simple joy of creativity instead of the more purpose-driven work. And two brand new poems, hurray!

A change, a breath, an infusion of fresh energy. Checking in with the poetry part of myself that has felt a bit neglected for the past month or so.

I don’t know what the difference between a writer and a poet is. Maybe there really is none. But my psyche relates differently to what I think of as my poetry from the way  it does to my prose. Both are vital; neither appreciate neglect.

There’s more work for me to do. I still feel shaky and vulnerable and craving. But I did one positive thing, used one positive coping mechanism. Go me.

Fighting Fire With Poetry

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Readers who don’t live in California may still already know this, but just in case–we’re on fire. Worse than ever before. Hundreds are dead and more hundreds missing. Ash and smoke have rendered the air bad enough to close schools and other things; masks are being worn for hundreds of square miles.

What do poets do at a time like this? We write, of course. We write about what’s going on–and sometimes, for our own survival, we go on writing about other things too.

Or we write about what’s going on, but indirectly. We write things that come from ourselves after we strain current events through the cloth of our psyche. Odd inspirations that come to us, or characters inspired by people we met or heard about.

I had an experience like this a couple of nights ago when I read a wildfire-related poem at an open mic. It was a strange one–for some reason, what came from my psyche was a poem about visiting a friend in the psych ward while the fires were burning, and about the way his mental illness was severe enough to cut him off from being able to feel or care about them.

But strange can be good sometimes–as I know I’ve said before, writing about the same basic things from a million perspectives is what poets do, because you never know which angle will touch somebody.

 

Why Feedback is Awesome

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As you know, I am relatively new to the concept of showing my writing (especially prose) to people who actually express opinions about it face to face. It’s scary and empowering at the same time, it motivates me to complete writing goals, and it gets me excited about future projects.

Sometimes it does something even more important: when I share a piece with others, their response shows me positive things about it I didn’t see. I come away realizing it’s a better piece than I thought it was; that I’d blinded myself to some of its merit because of insecurity or lack of perspective.

Yesterday I brought another of my memoir-style prose pieces to the writing circle. I had struggled with this one; the kind of struggle where you sit, stare, type a sentence, stare, erase the sentence, repeat ad nauseam. I thought the completed chunk was not bad, but perhaps not up to the standards of some of my others.

They fucking loved it. One said it was their favorite so far. Okay….

So why didn’t I like it that much? And who is right? Ultimately, I have to be the final arbiter, because I’m the one who stands by the words and claims them as mine. But it’s good for me to give it a chance, to see if other perspectives help me warm up to something.

Spaghetti Brain

~ Lori Lynne ~ Leave a comment

I’m finally feeling creative again after a days-long crash following my exciting reading. Creative–but wildly unfocused.

My brain is trying to think of the following things simultaneously:

  1. The status of my fellowship application to a writers’ community
  2. What to enter in a Bay Area poetry contest coming up
  3. Plans for compiling my first full-length poetry manuscript, and whether I could get it together in time to submit to a certain press by their annual deadline
  4. Which memoir-style piece to tackle next for my nonfiction project
  5. Two different ideas brought up recently for collaborative pieces with poets I know
  6. Bits and pieces from pretty much all of my old poems, thanks to recent work of pasting them into a new format
  7. Submission to a women’s magazine whose reading period just began
  8. A community chapbook I have been thinking of getting together and whether I should go ahead and send out calls for submissions.

And…Hamilton lyrics, which are awesome poetry but an immense distraction when they keep popping up during any of the above.

You Gave Me Money For This?

~ Lori Lynne ~ 1 Comment

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For the first time, I have exchanged poems I wrote for money. What a trip.

When I was the featured poet at a reading on Friday night, I brought copies of my first chapbook with me. Chapbooks are simple, low-budget productions, usually containing between 10 and 15 poems. I didn’t think I would get it done in time, because my date for the reading had been moved up, but with the help of my spouse I did.

I was looking forward to the feature, and determined to focus on enjoying myself at the mic and not worry about whether anyone would want a copy. Realistically, I expected to sell 5 or less to the modestly sized audience. I sold ten, so I’m very happy.

Anyone who’s been reading this blog, or my old one, knows that me writing and then beginning to join the writing community has been quite a process of change. You might have read an entry two years ago describing my first attendance at a poetry open mic. or my first submissions.

So if you write, and long to develop your writing more, I hope you will take encouragement from the things I share. I’m a messed up person, but I took one step at a time and I did these things. I think you can too.

Eight Days

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This morning, I had thirty-five days to get ready for the feature I’m doing. Now I have eight.

Long story, but due to some unavoidable circumstances I’ve just been asked to feature on October 12 instead of November 9 as originally scheduled. So now I have eight days. The chapbook I was going to make for the reading doesn’t exist, unless I want to do a quick and dirty job within a week. While working on a couple of special poems I really wanted to have ready.

The little kid in me is throwing a tiny tantrum because she wanted everything to be perfect. It’s only the second actual feature I’ve ever done, so the novelty has not worn off.   I really want to be amazing, and I need to understand that’s not how all of this works.

It’s not. If I bring my desire for everything to be perfect and impressive, I’ll be distracted from being authentic.

My Book is a Bastard

~ Lori Lynne ~ 1 Comment

So what are these projects that have been sucking up my writing spoons? Well, as far as poetry is concerned, I am trying to put together a chapbook for a feature I am doing in November. It will be the first time I offer written poems for people to take home. It’s just a low end thing, but I have to go through the horror of figuring out which poems to put in it.

The other one, the really new one, is my nonfiction book. I have always had a vague idea of using the essays I’ve written for the last five years as raw material for something, but recently I’ve hammered out much more of a plan and begun writing pieces that are targeted specifically for that.

This book is a bastard. A hybrid. A mutant.

Why?

Because it doesn’t fit into an easy category, like memoir or inspiration or self-help. I don’t want it to be just another “here’s the story of some shit that I survived” memoir–but there will be memoir pieces in it designed to help a reader identify or get a perspective on eating disorders, addiction and mental illness. It’s not a “here’s what to do to change your life for the better” book–but it will contain some ideas of things that might be worth trying, or tips on finding your own ways. It’s not a psychology book–but part of what makes it a bit different will be the experience of going through some of this stuff as a person who already had a clinical background, and where knowledge is and isn’t helpful. It’s not a “spiritual inspiration” book–but will certainly contain some metaphysical thoughts on why not to give up.

From a marketing perspective, some might say I’d be well advised to change it to fit a category, because bastards are hard to market. But I don’t think I can do that; I need the outreach element to be there. We’ll see. It’s all so embryonic that the most important thing to do at this point is to keep writing.

Something New

~ Lori Lynne ~ Leave a comment

Six years of essays, three years of poetry…and now adding something completely different.

My essays have always been personal, but in response to some feedback from fellow writers that saw a few of them I’ve been experimenting with longer pieces of more intimate and detailed memoir. These would ultimately form part of my pet long-term nonfiction book project.

I’ve gotten very good response on them so far, but it is a new kind of writing for me with a new quality of emotional experience. I need to be careful not to get overwhelmed.

I also don’t want to neglect my poetry (haven’t so far) or posting here on this site (which I definitely have.)

I have this idea that I’ll challenge myself to post every day for the coming month of October–but, knowing me, there’s a certain probability of that being bullshit. I want to post a lot, though, because there are interesting things happening with my creative life and its interaction with my health and sanity.

Give Me An Inch…

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Sometimes it’s good to get greedy.

I’m currently working on applications for no less than three different “if you win you will get some writing-related experience for free” scholarship contests for writers with financial need. One is for a fellowship in a writer’s community in SF, one is for a literary seminar and one is for an editorial services scholarship.

These feel different from regular submissions. Usually, I’m submitting a piece for judgment and the result is solely based upon the reaction to the piece. For these, I’m presenting myself. In addition to writing samples, I am putting together essays about me and why I’m a good poet to subsidize. Why I have potential, or why I am useful to the poetry world.

I had an incredible time at an open mic last Friday, and got asked to feature soon at another. I’m on a “high” that is probably fueled by a bit of hypomania, but I believe it is also genuine happiness about what being a poet means to me these days. These feelings are helping me take action on these scholarships.

Sometimes, my opinion of my work crashes and submitting things feels ridiculous. This appears to be pretty normal for writers. But when the opposite is happening–when I believe in myself and I’m excited about the things I am going to write–well, why not try?